Review: An Anonymous Girl by Greer Hendricks & Sarah Pekkanen

“You can’t judge someone’s internal state by their external attributes.” 

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★★★★

January 2019 | St. Martin’s Press

Opening Hook: Make-up artist seeks quick cash by being a liar

Main Character: Let’s her assumptions make her seem crazy

Plot Twisty-ness: Subtle and ominous


I’m a total sucker for anything that is psychologically leaning. And I don’t mean the trend of “psychological thrillers.” I mean real psychology, human nature, predicting behaviour and analyzing it. I’m a straight-up glutton when it comes to that kind of stuff and not for any sinister reason. It’s like not I’m trying to figure out the best way to appear human or some shit. If I was smarter, I probably would have been a psychologist. In another part of the multi-verse perhaps I am.

But in the here and now that we find ourselves trapped in (there’s been some kind of tear in the fabric of our universe and we ended up in a strange hell where Trump and Putin are going to destroy all life on Earth, I’m sure of it,) I’m just a girl with a deep fascination for dark psychology and no way to really express that except to watch endless true crime documentaries and read books like An Anonymous Girl, and have people think I’m weird.

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Review: The Dirt on Ninth Grave (Charley Davidson, #9) by Darynda Jones

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★★★★

St. Martin’s Press | 2016

Opening Hook: Amnesia is a bitch

Main Character: Classic Charley, but Jane Doe

Plot Twisty-ness: Signature Charley adventures


I took a break from this series in order to catch up on some books that I owed reviews on, but since I was given the final book in the series through Netgalley, I’m back on the Charley Davidson bike, as it were. And I’m going to ride this son-of-a-bitch right to the finish line.

The ending of #8 was a little bit of a cliffhanger, but more than that it was just a bummer. Actually, the whole book was a bit of a bummer for me. I didn’t like how different it felt to everything else the series had been up to that point. It was a little heavier, a little too lovesick-romantic – just a little much all around, with not enough levity. It was like the series lost its way a little bit.

I’m happy to report, however, that #9 is a clear swing back around to Classic Charley. Only this time she has no idea who she is. She’s living a “just the essentials” kind of life as a waitress named Janey. She’s trying to figure out who she is, where her people are – she must have people, she has a wedding ring on after all! But she’s also just living her life without too much pressure.

Continue reading “Review: The Dirt on Ninth Grave (Charley Davidson, #9) by Darynda Jones”

Review: Sometimes I Lie by Alice Feeney

“Little girls are different from little boys: they’re made of sugar and spice and scar for life.”

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★★★★

Flatiron Books | 2017

Opening Hook: It’s probably a lie.

Main Character: Unreliable narrator meets Weekend at Bernie’s.

Plot Twisty-ness: Everything but the kitchen sink.


Truthfully, I only read this because I found out Sarah Michelle Gellar and Ellen are turning it into a mini-series. And I am not the kind of Buffy fangirl to ignore a Sarah Michelle project. So here were are.

I’m so sorry to my more discerning thriller friends who really didn’t like this and were hoping I’d be busting in here with a signature snotty review about how crap this book is; how it took every element of a thriller novel it could possibly fucking think of and used all of them on one character in a short 260-page sitting.

But I’m not.

Because this entertained the fuck out of me.

Maybe I’m still feeling the holiday glow that’s keeping my heart three times its normal size, like the Grinch, but this book hit me in all the right psychological thriller sweet spots. I was so enamoured that I read it over one Saturday afternoon.

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Review: The Girls Are Gone by Michael Brodkorb & Allison Mann

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★★★★

Wise Ink Creative Publishing | 2018

Opening Argument: Your Honour, this case comes down to one fact – this fucking bitch is cray.

The Clients: One bad mommy, one fucked over father.

Plot Truthy-ness: Told factually with care, but emotionally leaning to one side.


I was offered this book by the authors and their book publicist in exchange for a review. At first, I was like, Woo! True crime! But then I read the description and was like, No one dies? This is going to be boring.

But, shit was I wrong! Who knew family court drama could be so fucking crazy? I mean, I suppose I should have because I’ve been through a little bit of this myself (my husband has custody of his kids for a reason,) but nothing I’ve witnessed my husband deal with really comes close to the levels of nuttiness presented in this true tale.

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Review: Bird Box by Josh Malerman

Something is out there, something terrifying that must not be seen. One glimpse of it, and a person is driven to deadly violence. No one knows what it is or where it came from.

This review was originally written and posted in August 2015. But considering the Netflix movie has just been released, it seemed like a perfect opportunity to migrate this over from Goodreads!

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★★★★

Echo | 2014

Opening Hook: Russia is once again fucking things up for the rest of the world.

Main Character: Last longer than I would.

Plot Twisty-ness: One of the more unique books I’ve ever read.

Yeah, okay, so I really liked this book.

While I was reading, I was reminded of an episode of Supernatural where Castiel reveals his true angel visage to a woman and her eyes burn out of her skull. Humans are simply not equipped to handle the overwhelming righteousness of these holy warriors’ true form. But this woman couldn’t help but look. She needed to see, couldn’t live in that moment without knowing. And so bad shit happened to her, even though she’d been warned. 

I feel like if I had been in this world, I’d be dead. For realsies. I give myself 3 minutes.

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Review: Tear Me Apart by J.T. Ellison

“The words I’ve heard in the past few days are ones I never expected – new, untried, untested. Casket. Body. Funeral. Viewing. Embalming. Autopsy. Severed. Seven-inch non-corrosive steel blade. Homicide.”

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★★★★

MIRA | 2018

Opening Hook: Broken bones, broken dreams

Main Character: Shouldn’t keep blood secrets when your sister works with DNA

Plot Twisty-ness: Are coincidences considered twists?


Okay, okay, OKAY. Y’all know I love me some J.T. Ellison.

It all started with her Taylor Jackson series a damn decade ago (ugh, that makes me feel old) and I’ve been a loyal reader ever since. I love tough women writing tough women, it’s a thing.

Ellison’s move from series writer to standalones started with Lie to Me, which most people loved, except for yours truly.

What can I say? I’m a picky fucking reader.

I had a few issues with the pacing of Lie to Me (the second half sucked the life out of it) and with the ending (“it was all for nothing, just a giant misunderstanding” doesn’t really work for me. that’s not a twist,) but I’m happy to say that I liked Tear Me Apart a lot. I didn’t love it. It’s not the best thing I’ve read this year, but it’s a good read. It’s not a waste of your time, at all.

And we all know how much I hate wasting my reading time.

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Review: A Head Full of Ghosts by Paul Tremblay

“On the morning of the exorcism, I stayed home from school.”

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★★★★

Titan Books | 2016

Opening Hook: Exorcist house field trip

Main Character: Untrustworthy, just the way I like them

Plot Twisty-ness: Don’t eat the pasta


Finding really good, disturbing, well-crafted horror novels is hard for me, even though I love horror. Obviously, this is probably because I’m a picky bitch but I regret nothing.

Paul Tremblay has been on my list of “horror authors to possibly trust” for a long time, but I think I put off reading his work to avoid the letdown.

But now that it’s officially “stick a pumpkin up my ass and spice everything” season, I figured what better time than now to find out if Paul Tremblay is a true horror author I should trust; to find out if I am a fan or not.

And I’ll tell you, I think I am.

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Review: Jane Doe by Victoria Helen Stone

“I’d heard it before, of course, usually from my mother. A nasty, cold-blooded, selfish, grasping, uppity, ungrateful goddamn little bitch. And I know that to be true. I could feel the coldness in my own veins.”

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★★★★

Lake Union Publishing | 2018

Opening Hook: More like opening another button, amiright?!

Main Character: Your new best sociopathic friend #4eva

Plot Twisty-ness: Jane’s plot could have used a tab more plotting, but otherwise satisfying in a totally sexual way


I really really liked this.

On the surface it’s the story of a woman hellbent on revenge for the suicide of her best friend, Meg. Her target: Meg’s abusive ex-boyfriend, Steven.

Jane leaves her expensive high-powered lawyer life in Kuala Lumpur behind, and moved to Minneapolis, giving herself a month or so to infiltrate Steven’s life and make him wish he’d never been born.

LIKE OMG SO FUN.

So that’s the basic idea of the novel. And already I know you’re thinking, “I’ve always wanted to change my identity and ruin someone’s life. Revenge is the best. Sign me up.”

But when you look past the surface, when you go a little bit deeper, you see that this is actually a novel of patriarchy-smashing awesomeness, as well as a giant middle finger to the hypocrisy of Evangelical Christians.

And that last part just feels so right it turned me on a little bit.

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Review: It Takes One (Audrey Harte, #1) by Kate Kessler

“Doing a bad thing doesn’t make you a bad person. People do bad things for the right reasons all the time.”

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★★★★½

Redhook | 2016

Opening Hook: Better classified as a “meltdown”

Main Character: Small town child murderer

Plot Twisty-ness: The definition of twisty


Audrey Hart left Edgeport years ago after being released from the local juvie, Stillwater, for killing her best friend, Maggie’s, father when they were teenagers. She doesn’t regret it for a second – Maggie’s father was a daughter-raping piece of shit, and killing him – and the consequences that followed – have made Audrey who she is today: a successful child psychologist and contributor to a true crime tv show, Kids Who Kill.

When Audrey gets a call to return home to Edgeport, she’s dreading it. The whispers, the glances – all eyes are always on her whenever she’s in town. That is certainly true when Audrey walks into the local watering hole to pick up her drunk-ass father and Maggie spots her. They speak for the first time in years and it’s not friendly. Audrey gets mean, Maggie gets nasty, gets pushed onto her ass and Audrey storms off. The next morning Maggie is dead on the beach and Audrey is a suspect. 

So begins all the twisted, romantic, dramatic events that will lead to the disturbing and twisted discovery of just what exactly happened to Maggie. And when I say twisted, I mean twisted. There is so much history to unravel, so many secrets and lies to uncover, that while there aren’t necessarily many “thrilling” or “dangerous” moments, you are totally engaged the whole time.

There are just so many elements of this novel that I loved.

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Review: The Body Reader (Detective Jude Fontaine, #1) by Anne Frasier

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★★★★

Thomas & Mercer | 2016

Opening Hook:  The human equivalent of an animal caught in a trap

Main Character: Needs to get laid, but also doesn’t

Plot Twisty-ness: If a roller coaster was an onion


I have to say I really liked this. It’s dark. It’s interesting. There are so many layers to the story, to the mystery. It’s never what you think it is.

I’ve never read anything by Anne Frasier before, though I do have a few of her books on my TBR shelf. I will definitely be moving those books closer to the top of the list.

Det. Jude Fontaine makes a daring escape after 3 years in captivity. She’s not herself anymore. She’s been subjected to unknown tortures and horrors. She sees everything in the world with new eyes, including herself.

Clawing her way back to some semblance of mental health, Jude goes back to work as a Homicide detective, while trying to find new ways to just be alive. (Sleeping on the roof, for instance.) Everything about Jude is switched off after her return. She has no sense of humour, she is flat and unemotional. She doesn’t know how to exist anymore. And this starting point requires that the other plot elements, and secondary characters, have some A+ development. 

Her trauma and recovery has got to be believable, yet on pace with the rest of the book so you don’t feel bogged down with “personal issues”. I think Frasier really pulled that off. (This needs to be a series.)

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