Review: Yes, Daddy by Jonathan Parks-Ramage

★★★★

Mariner Books | 2021

Filed Under: Break glass in case of an emergency that requires gothic pulpy graphic writing


I said I wanted more gay thrillers and my book friends said fucking read Yes, Daddy, you bitch and now here we are.

So, I’ll say it to you too – read this book, you bitch.

It’s fucked up in the most perfect and twisted ways, to the point that it’s very powerful not just wild. I promise you will not be able to put it down and you’ll be all like, “wtf is happening I’m so uncomfortable but I love it.”

This was like a gay Jeffrey Epstein meets Harvey Weinstein meets #MeToo meets the Republican party meets that church Justin Beiber goes to meets that scene in 8MM where Nicholas Cage goes to an underground porn market for all the really demented shit and the guy is dressed in leather, pinching his own nipples.

You get the vibe.

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DNF Review: The Tenth Girl by Sara Faring

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★½

Imprint | 2019

DNF’d @ 53%


You know me – I generally don’t quit on books. I’m almost physically incapable of putting down a book if it means I will never know how the story unfolds. Even if I don’t necessarily like the story. It’s a neurotic trait that probably has something to do with the part of my personality that likes to know fucking everything, even the shit that doesn’t involve me.

Like, I don’t want to be involved in drama, but do I want to know about it? You bet you’re fucking ass. Tell me word-for-word what was said.

But, it turns out if the story is boring as all fucking hell, I have no issue putting it away and leaving it behind forever.

That’s the case with The Tenth Girl.

I am sorry, but this was possibly the most boring book I’ve ever read??? I’m struggling to think of something that has made my eyelids this goddamn heavy. All I can come up with is a curriculum book in tenth grade English class. I had my friend explain the book to me and I bullshit that essay like I do these reviews.

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Review: The Haunting of Hill House by Shirley Jackson

“[Fear] is the relinquishment of logic, the willing relinquishing of reasonable patterns. We yield to it or we fight it, but we cannot meet it halfway.”

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★★

Viking | 1959

Filed Under: THERE ARE TOO MANY DOORS.


The first time I ever came across this story was in 1999 when I was 14 years old and watched The Haunting for the first time.

Is it a good movie? Not really. But, Catherine Zeta-Jones and Liam Neeson in a murderous, haunted house? That’s always going to be a yes from me. And that scene where Owen Wilson gets his head lobbed off? Scared the shit out of me twenty years… TWENTY YEARS AGO?! Omg. *vomits in mouth*

So, there’s some nostalgia linked to this for me in terms of shitty 90s horror movies that I still have a fondness for.

I later saw the original 1963 adaptation which just didn’t really work for me because I was a dumbass teenager with a myopic view of entertainment and a shitty attitude.

In 2001, Scary Movie 2 pulled heavily from The Haunting and it has been seared into my brain ever since.

In fact, while I was reading this I suddenly had a desire to watch Scary Movie 2, so I did, and that was arguably a bad idea because for the rest of the book all I could picture was Chris Elliot with his gross tiny fucking hand.

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Say what you want about quality, but the moronic movie is funny as hell.

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Review: The Winters by Lisa Gabriele

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★★★½

Viking | 2018

Filed Under: A stepmother who my stepkids should be nicer to!


Just like other reviews aplenty will tell you, this novel is inspired by a classic novel and blah blah blah. I don’t know the book. I might know the author’s name? I’ve never read it and I didn’t know any of the “inspiration” going into reading this, so it really makes zero difference to me whatsoever.

Look, I never claimed to be a refined reader.

I read this novel purely for the gothic feel of the synopsis and because I’m a stepmother married to an older(ish) man and those themes resonated with me. I haven’t found many stories centring on stepmothers/second wives that are actually mystery/thrillers and don’t paint step-parents as some ridiculous evil creature to be feared and ousted.

I wagered, because this book was told from the stepmother’s point of view, there was a good chance she wasn’t the villain per se. And thankfully, I was right! The stepmother isn’t the villain for once! She’s more of a saviour, which is totally how I see myself, just with less doing things that make anyone’s life better, and more being so peeved that I never get to play my PlayStation anymore that I bought a second one out of passive aggressive spite. Like, I’m so selfless. LOL.

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Review: And The Trees Crept In by Dawn Kurtagich

“Rotting in your skin, rotting in your mind. You are rotting in this house. In this house you’ll die.”

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★★★★

Little, Brown Books for Young Readers | 2016

Filed Under: Stay out of the forest


This book is a love story between sisters. It’s a love story about a boy who can’t love. It’s a story about a teenage girl trying to decide what decisions are best while carrying guilt and confusion and stumbling through her reality, unsure and uneasy.

…But mostly it’s creepy AF.

Silla Daniels, and her mute sister Nori, arrive at their aunt’s decrepit mansion, La Baume, after having escaped their abusive father. They are looking for peace, for a place to call home, and they have pessimistic hopes that La Baume will be that for them.

…But, you know, it’s not.

Because something is off. Their aunt is odd. The house makes noises that fill Silla with dread. And the woods surrounding the property seem to be moving closer to the house; woods where something dangerous lurks, something that won’t let them leave. Could it be the Creeper Man?

As the food supply runs dangerously low, Silla starts to lose her mind. Because at La Baume, nothing is what it seems.

“He’s out there,” I say, turning back to the window. “Always watching. Getting stronger.”

I read this on audio, and I have to say it’s probably the most interesting, engaging, well-done audiobook I’ve ever listened to. I almost felt like I was back in the days when there was no TV and families gathered around the radio to listen to shows. The narration was beautiful and bold, and the production value filled my ears with so much tangible setting that I felt like I was there, an unseen observer.

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